Additionally Adishakti's work and experiments cover those areas, which elliptically involve the performer and her environment medicine,architecture/construction technolog ies and the eco system. For Adishakti is driven, quite simply, by its apprehension of art/aesthetic practice as a unique bridge not only between diverse performance forms, traditions and knowl edge systems but also in fact between a range of diverse realms, which are not normally or visibly in communication with each other.